Newsletter Issue #8: A Progressive Year Ahead


Dumelang (Hello) &

Dramatic as the year has already been, I hope it will be filled with inner joy and peace amidst the global turmoil that surrounds us all.

Among the things reverberating inside of me as I gaze at the year ahead is the phrase: Quality over Quantity. But why Quality over Quantity? And even the title, Progressive Year?

I wrote the word progressive down first, but then had to check the dictionary for the fullness of its meaning.

Progressive generally means moving forward, developing, or favouring change and improvement rather than keeping things the same. Happening or developing gradually or in stages; proceeding step by step.

For me, this means staying in the journey/the fight/the wait (in my case, regarding the sale of my debut novel)… the idea of investing in depth and growth, which, as a friend of mine reminded me the other day, doesn’t happen without some level of resistance.

As for Quality over Quantity: I intake a lot of what’s out there, be it reading, listening to podcasts, dabbling in this and that project, which currently is gardening with my sons, etc., etc. One can be caught up in so much, but one of my intentions is to zone in and go deep, rather than be everywhere/do too much and stay shallow. This feels like a special skill given the attention economy we all exist in, but something tells me I won’t regret trying nonetheless.

I am currently working on my second novel, because, as someone wise once said, Write the Wait. Which means, instead of checking the horizon (of the email inbox) to see if the email has finally arrived, writing, and more writing (even deliberately resting) and keeping on with life (because no quality writing can come about without living) is one of the most productive ways to WAIT when on submission (i.e., when a manuscript is submitted to editors at publishing houses).

I touched base with my agent last month because I’ve been researching the different ways, or approaches, to going/being on submission, and it’s all so varied. In my worry, and in my “why is it so quiet out there,” Barbara reminded me that this is all par for the course and nothing needs to change for now. She said this in answer to my question: do we need to submit to more publishing houses than the 8, which are now 6 outstanding after the 2 passes we got?

So, that’s a very long way of saying that we have not received any more responses on the submission since the last email (lol).

Ooh, and I’ll add the stats for the typical wait times for submission, just for FUN, for all of us lovers of numbers here.

My book is submitted as YA (Young Adult). And we are, as of Jan 8, at the 4-month mark since submission.

I will say that writing this email to you is really good for me, because even when I feel down and disappointed that things have not moved as fast as I had hoped, this is my way of saying, "Ntebogeng, you are not giving up hope. You have a story to tell, and you are going to tell it."

Thank you for staying in it with me.

Whatever your goals and intentions are for this year, may you progress...move forward, step by step.

Ntebogeng

Reading Corner

My books are set in South Africa, but unfortunately, because I was educated under a “malnourished” system of education, I cannot think of a single book by a South African author that was part of my school reading—not in my rural schooling years, where we had no literature to read, nor in my city schooling, where the system had yet to transition from a western-focused literary canon. I remember reading Shakespeare in class, but no South African author. So, as I have mentioned before, it is now, as an adult, that I am having a do-over and trying to read as many South African-authored books as I can get my hands on.

I recently read Kaffir Boy, published in the U.S. in 1986, written by South African Mark Mathabane. If you want to understand what the system of segregation (apartheid) looked like at the bone, blood, and flesh level, this is one of the most powerful books you’ll read. Long Walk to Freedom by Nelson Mandela is among those essential works, but this one tells the story from the perspective of an ordinary township boy growing up in Alexandra, a place to this day of deep poverty situated right next to what is often called Africa’s richest square mile, Sandton, making the contrast between survival and excess, freedom and oppression because of race, painfully and powerfully real.

The book is still in print and available on Amazon, as well as second-hand copies through smaller online booksellers. I listened to the audiobook on Audible, read by the author.


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